Archive for Reviews & Recaps

Rent It/Buy It/See It: Fantastic Mr. Fox

Let’s first give you the timeline. Last Thursday I received the Blu-ray of FANTASTIC MR. FOX in the mail from Netflix. Friday night, the wife and I huddled up on the couch and watched it. By Saturday afternoon I’d won an Ebay auction for the Blu-ray. Wednesday of this week, I had it in my grubby little hands.

I haven’t bought a DVD or Blu-ray in months, maybe even a year. I can’t even tell you the last time a movie warranted me spending any of my hard earned cash to own it. I have around 100 DVDs. I only own one Blu-ray and that was a gift. (It’s Family Guy: Something Something Something Dark Side in case you were wondering). I’m an avid Netflixer and I try to watch at least a couple movies a week, whether it Time Warner On Demand or Amazon On Demand. The point being is it takes something special for me to spend any real money on owning a film.

Long and the short of it is, FANTASTIC MR. FOX is everything I hoped WHERE THE WILD THINGS ARE would be but wasn’t. It’s a seminal picture from one of the real auteurs of my generation. It’s a departure from his former work while still remaining a part of his oeuvre. While I don’t fault Spike Jonze completely, I still think he’s a genius and hope he keeps amazing me with his movies. His short, I’M HERE – A LOVE STORY is pretty fantastic, so I’m not too worried, but WTWTA was kind of a mess. It’s probably Dave Eggers fault. Let’s just say it was and move on. Read more

Lou’s Album of the Moment: Broken Bells – Broken Bells

Who knew that back in 2004 when I downloaded DJ Danger Mouse’s The Grey Album, a seemingly innocuous mashup of Jay-Z’s Black Album with The Beatle’s White Album, that I was hearing what was to become one of the defining artists of the “New Millennium?” Who could have known that he would go on to rock the world with Gnarls Barkley and help create the biggest song of the decade as well as pumping new life into artists such as The Black Keys and Beck? It’s stories like these that make me love the internet. This kind of rise would’ve been impossible if he had just been passing his mixtape around to his friends.

Now, he’s moved on to partnering with James Mercer, the lead singer of The Shins and I couldn’t be happier. After being thoroughly underwhelmed with the new albums from Gorillaz and MGMT, it was nice to finally buy an album that I wanted to listen to a second and third time, and not because I was searching for something to like.

The album is simultaneously groundbreaking and not groundbreaking and that’s a good thing. They take their respective strengths and put them together and they fit perfectly. It’s just a great, relaxing ride. When my wife asked me why I liked it so much, all I could say was, “There’s nothing offensive about it. Nothing to not like. Just great songs that can be replayed and replayed.” I’ve done so five times since downloading the album yesterday and in an attempt to ween myself away from it gradually, I created a Broken Bells radio on Pandora so I’d at least have something else playing as well.

I can’t really pick a particular song that captures the feeling of the album, the entire album is that feeling, so I’ll just embed the Lala of the whole thing after the jump for you to check out yourself. Let me know what you think.. Read more

LOST Recaps: What Kate Does

Doc Artz: LOST 6.03 “What Kate Does” Review – Filler, or Epic Quest For Redemption?

Doc Jensen: ‘Lost’ recap: Staying Connected

A.V. Club: “What Kate Does”

CHUD: LOST: BACK TO THE ISLAND: SEASON 6 EPISODE 3

Best Week Ever: LOST SEASON 6 EPISODE 2 RECAP: A Wicked Twist Of Kate

Catching Up with Pop Culture: Inglourious Basterds

For various reasons, some valid (getting married) and some not (sheer unadulterated laziness) I’ve been lagging behind the cultural zeitgeist on a few things over the past couple years. So, with the injection of the perfect storm of Netflix/HDTV/BluRay into my former 20th Century entertainment center comes some better late than never reflections on some films or yore. Being that this film came out last year, I see there no reason to warn of spoilers.

Un Poster d'Italiano

First up, is the comical romp through German occupied France during the gay old Forties known as INGLOURIOUS BASTERDS. After snoring through JACKIE BROWN, just not feeling KILL BILL(s) and being bored to tears with his half of GRINDHOUSE, DEATH PROOF, even though I was at a midnight screening at Mann’s Chinese Theatre passing a gallon size cup of Jack & Coke back and forth with a dozen of my closest friends, you could say that Quentin was close to being relegated to just “that interesting character I’ll watch interviews for” and not for the visionary director he once was.

Well, that all changed last night when my eyeballs were done being Tarantinoized once again. And while I still think PULP FICTION is his best work by far, with RESERVOIR DOGS a close second, BASTERDS definitely comes with guns blazing up the rear to third.

As I was watching/reading the movie, (which by the way will require a second viewing for that very reason), it occurred to me that when QT is firing on all cylinders, with his chapters and splintered timelines, he’s basically been making foreign films his whole life. This time, he just went it did it. And did it well, no less. Read more

LOST: LA X Recaps

Doc Jensen: ‘Lost’ recap: What’s Your Worldview?

A.V. Club’s Noel Murray LA X

CHUD: LOST: BACK TO THE ISLAND: SEASON 6 PREMIERE

Doc Artz: More Lost than Ever – 6.01 and 6.02 “LA X”